“Typography has a special relationship with its own past, with frequent redesigns and revivals, from among which we chose the ones that most inventively distill the essence of historical examples to give it new, contemporary life….” Explaining the selections, which included six more of Carter’s typefaces. It was one of the 23 typefaces acquired by MoMA in 2011. Years later, Boston magazine was redesigned by Patrick Mitchell using early versions of FB Big Caslon, paired with our own Williams Caslon Text, by William Berkson.īig Caslon is in rare company. The distinctive serif, with its new verve, did not go unnoticed. In 2003, Paul Barnes redesigned Wallpaper magazine using Big Caslon and for that Carter drew an italic with swashes. There are a number of swash ligatures that resolve cumbersome combinations, employed by default when ligatures are on. The fashionable swashes, set in Bold Italic. It’s really a general purpose display face.” In the words of Carter himself, “It’s been around long enough to have been used on book jackets, in fashion magazines, advertising, and posters. Long bundled with Apple’s OS X, this display serif has befriended many designers. Typographers who can sense the richness that Carter’s design offers will succeed by trusting these fonts. But not for superficial gain, no, Big Caslon is still at its best in careful hands. These new weights enhance its force, and amplify that dear eccentricity. “Forceful and a touch eccentric”-that’s how the 1994 Big Caslon specimen described the faces that inspired Carter’s design. They each have italics, small caps, and plenty of striking alternates. Now it is a fully-featured OpenType family, simultaneously available as webfonts, in three weights (Regular, Bold, and Black). In 1994, Big Caslon was released as a single style, with separate fonts for small caps, expert and alternate characters. For something more modern, check out the CANGGU monoline script, that’s perfect for blogs, social media, and the Web.FB Big Caslon adds six new styles to Matthew Carter’s familiar and beloved typeface.
![big caslon font bold big caslon font bold](https://media.fontsgeek.com/generated/b/i/bigcaslon-scap-regular-sample.png)
The Libre Caslon Text found on Google Fonts on the other hand, is optimized for the Web and would look awesome on all your digital designs.ĭo you love old, handwriting styles? Then you will love the TEMPLAR signature script, that looks as if it was indeed, written by hand.
BIG CASLON FONT BOLD PRO
For the free versions, go to Fonts Geek for the Adobe Caslon Pro Regular and to Font Squirrel for Libre Caslon. Get all the Adobe Caslon fonts from Adobe Fonts. Don’t be afraid to complement it with similar serifs, too, such as Schnyder and Elmhurst. Of course, as a serif, it goes well with sans serifs like Akzidenz Grotesk, Interstate, and Graphik. From plays, posters, magazines, logos, even official documents and corporate letterheads – Caslon has, and always will, have a place in our time.īreathe new life to it by pairing it with unique typefaces such as NY Irvin and Schnyder. Nowadays, lots of designers still employ this Old Style serif in their works. Whether it’s for your digital portfolio or a book cover, you can’t go wrong with using Caslon. And why not? With its beautiful curves and rich history, there’s no other serif that’s as dependable. There’s a popular saying among type setters: ‘when in doubt, use Caslon’. The result is organic letters that bear close resemblance to the beloved serif of kings. Twombly designed them by studying specimen pages printed by William Caslon between 17. In 1990, type designer Carol Twombly created a Caslon revival called Adobe Caslon, which was more suited to digital needs. Soon, they also became famous outside of England, making their way to the New World, just in time for the signing of the Declaration of Independence. The Caslon fonts were used extensively by people from all ranks, particularly in political arenas. His works gained fame because of their attractiveness and functionality. A notable English punchcutter, he designed many typefaces during this time, until his death in 1766. History of the Caslon FontĬaslon in essence refers to Old Style serifs originally created by William Caslon in 1722.
![big caslon font bold big caslon font bold](http://luc.devroye.org/Caslon-Poster-by-EugeDigon-2015.jpg)
Read on to find out why it deserves a place in your toolkit. That’s right – this Old Style serif has definitely earned its bragging rights thanks to its gorgeous forms and easily identifiable characters.